ON THIS DAY: ‘The Scream’ stolen from Oslo’s National Gallery (1994)

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On 12 February 1994, one of the world’s most recognisable and emotionally powerful paintings, The Scream by Norwegian painter Edvard Munch, was stolen in a daring early‑morning raid from the National Gallery in Oslo. The work in question was the 1893 pastel version of the painting – among the rarest and most valuable cultural treasures in Norway’s national collection.

A brazen break‑In

Shortly before 6:30 a.m., as the world’s attention was on Norway for the ongoing 1994 Winter Olympics in nearby Lillehammer, two thieves climbed a ladder to a second‑floor window of the museum. They smashed the glass, entered the gallery and cut the iconic artwork free from its mount on the wall.

The entire operation took less than a minute. Museum alarms were triggered, but by the time police arrived, the thieves had vanished in a waiting vehicle with the priceless pastel version of Munch’s anguished, ghost‑like figure. A note left behind reportedly taunted the museum’s security, reading: “Thanks for the poor security.”

The painting and its meaning

The Scream – originally titled Der Schrei der Natur (“The Scream of Nature”) – was painted in 1893 as part of Munch’s Frieze of Life series. Its haunting depiction of existential distress has become a universal symbol of anxiety and modern human emotion. The 1893 pastel version was one of only four versions Munch produced, making it an irreplaceable part of his legacy and a cornerstone of Norway’s artistic heritage.

International investigation and recovery

What followed was an intense investigation that combined efforts from Norwegian police, international art crime units and expert forces from abroad. The museum refused to pay a ransom, even after a demand of US $1 million was received, citing both principle and the difficulty of verifying such claims.

After weeks of painstaking work, authorities traced the painting to a hotel room in Asgardstrand, a seaside town south of Oslo. On 7 May 1994, almost three months after the theft, The Scream was recovered undamaged. Several suspects were arrested and later convicted in connection with the crime.

Aftermath and legacy

The theft of The Scream in 1994 sent shockwaves through the global art community. It highlighted vulnerabilities in museum security – even for renowned institutions – and sparked renewed interest in one of the most celebrated works of modern art. Despite its impossibly high cultural value, experts noted it would be virtually impossible to sell openly on the black market, leading investigators to view the theft as a bold but deeply misguided act.

The recovery of the pastel version restored a national icon to public view and underscored the importance of international cooperation in preserving cultural heritage. Ever since, The Scream has been under far tighter security, continuing to both captivate and unsettle audiences around the world.


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