As the organising team of the Cyprus International Theatre Festival (CITF), we wish to state unequivocally that our festival strongly condemns all forms of violence, harassment, and abuse. At the same time, we advocate for the importance of open dialogue, especially when addressing difficult and controversial issues. CITF does not seek to justify or silence any reprehensible acts, but rather to explore in depth the complex relationship between artistic creation, individual responsibility, and the broader impact of ‘cancel culture’.
Our self-evident stance is expressed in response to reactions regarding the participation of internationally renowned artist Jan Fabre in this year’s festival, given that he has faced serious allegations in the past. These reactions emerged immediately after our programme was announced, which, notably and not by coincidence, included a discussion with the Belgian artist.
Unfortunately, these responses have affected the festival’s collaborations, creating the misconception that our invitation to Fabre equates to an endorsement of his actions, rather than an opportunity for critical dialogue.
While we fully understand the concerns and acknowledge their sincere intent, we firmly believe that the artistic scene is not a courtroom.
Instead, it is a space where such issues have traditionally been addressed and debated with honesty and critical thinking.
Art, responsibility, and ‘cancel culture’—three concepts that spark intense debate whenever they intersect. How should we approach an artist whose work has shaped contemporary theatre and visual arts, yet whose personal actions have led him before the justice system?
Can we separate art from the artist? This is a question with no easy answer, one that carries particular weight in the case of Jan Fabre.
About Jan Fabre
For over four decades, Jan Fabre has been a leading figure in contemporary visual arts, globally recognised for his bold and often provocative artistic approach. His work has been showcased in major cultural institutions worldwide—from solo exhibitions at the Louvre to groundbreaking performances redefining the boundaries of theatre. His artistic language, known for its raw and often controversial nature, has been both praised and challenged.
However, in recent years, the public discourse surrounding Fabre has shifted from his artistic legacy to his personal conduct.
In 2018, allegations of harassment, abuse of power, and inappropriate workplace behaviour emerged, leading to a legal ruling in 2022. Fabre was found guilty of certain charges and received a suspended sentence. He has consistently denied the accusations, claiming that his working methods were misinterpreted.
This case has sparked a wider discussion on the responsibility of the artistic community—whether and how to continue presenting the work of artists with controversial pasts, and to what extent public opinion shapes cultural realities.
It is also worth noting that there is no unified global stance on Jan Fabre’s position in the arts. In fact, following the resolution of his legal case, he has been invited to solo exhibitions and performances in Venice, London, Rome, and Athens, where his presence has not triggered any public backlash.
The Performance – I AM A MISTAKE
Jan Fabre’s solo performance, I AM A MISTAKE, was written in 1988, long before recent developments. The work explores themes of artistic failure, self-doubt, and resistance to societal expectations—topics that resonate even more profoundly today.
Although initially conceived as an introspective journey of self-awareness, the performance inevitably takes on new dimensions in light of Fabre’s personal history, making it a work of reflection rather than a statement of redemption.
About the Cyprus International Theatre Festival (CITF)
The Cyprus International Theatre Festival is a new institution, created by artists with a vision to contribute to Cyprus’ cultural scene, with deep respect and appreciation for Cypriot creators.
For this reason, as with last year’s festival, this year’s programme includes distinguished Cypriot productions, allowing them to coexist with international works that enrich the country’s theatrical and cultural landscape.
In the coming days, Cyprus will host a festival of international calibre, marking a groundbreaking cultural moment for the island.
Over a two-month period, across two cities, audiences will have the opportunity to experience six international performances, as well as public discussions, lectures, and masterclasses featuring globally acclaimed figures from contemporary theatre, dance, and performance arts.
This is a unique opportunity, both for the audience and for Cypriot artists, who will engage with renowned creators and artistic groups from around the world.
During the festival, there will be:
- Theatre and dance productions
- Over 25 events
- 100 artists from Cyprus, the USA, Italy, France, Belgium, Germany, Estonia, and Latvia
- An estimated 10,000 attendees and visitors
Finally, we wish to underline our belief in open dialogue, artistic freedom, and the importance of addressing controversial issues rather than silencing them.
Beyond simply watching performances, this festival is a space for discussion, reflection, and meaningful cultural exchange.
Therefore, we invite everyone to participate and to experience theatre as an art form that challenges thought and provokes introspection.
For more information, visit www.citf.cy.
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