Gabriel: not seeking outrage, bringing Christ to daily life

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Reactions deliberately provoked

Painter George Gabriel asserts recent fierce reactions to his paintings are intentional, aimed at sparking public outrage to legitimize censorship and restrict freedom of expression. Speaking on Sigma’s “Protoseleido”, he said such incidents inevitably make artists “think twice or three times” before expressing themselves, directly undermining creative freedom.

Fantasy art in private spaces

Gabriel emphasized artistic creation often inhabits fantasy and surreal realms, characterizing his own work. He clarified his pieces originate in his personal studio and exhibit in private venues, like last Saturday’s show in a private gallery. “I didn’t display them in a church or public square,” he noted, adding that those finding works offensive can avoid the exhibition, critique publicly, or voice opinions; but not ban them.

Fake news fuels backlash

The artist claimed part of the uproar stemmed from fake news and alterations of his work to incite anger. This marks the second time he provides public explanations for his art, which he finds particularly concerning.

Artists under police protection

He highlighted artists exhibiting under police protection in the country, with shows withdrawn after life threats to gallery owners and creators. “We’re talking about a climate of terrorism,” he stated, questioning if this is the society desired, especially as Cyprus prepares for the EU Presidency.

Religion, symbols, and hypocrisy

Gabriel clarified he neither seeks to anger believers nor offend religious sacreds. Regarding a specific piece depicting lips on Christ’s face, he noted it mirrors daily church images from believers’ worship kisses. He metaphorically transfers this reality to art, bringing Christ into everyday life and highlighting societal hypocrisy: “We reject the depiction but do the same ourselves.”

Political motives ahead of elections

Concluding, the artist linked reactions to political agendas, suggesting pre-election maneuvers cultivate voter images or exploit the issue in partisan rivalry.


Also read: George Gabriel’s exhibition triggers blasphemy outrage and threats

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